中国民族美术

我国藏族唐卡三大画派之一的“噶玛噶孜”，以其悠久的历史和独特的艺术魅力，既成就了中国川、青、藏地域辉煌灿烂且自成体系的民族美术发展史，也极大地丰富并完善了中华文化艺术的整体构建。在发展演变进程中，“噶玛噶孜”始终立足于传统，在中华文化深度交融的大背景下，逐步革新嬗变并赓续至今。这既是中华文化视野之下汉藏艺术交流的有力历史见证，也是极具研究价值的文化现象。

"Karma Gadri", one of the three major painting schools of Tibetan Thangka in China, with its long history and unique artistic charm, has not only achieved a brilliant and self-contained history of the development of ethnic fine arts in the regions of Sichuan, Qinghai, and Tibet in China, but also greatly enriched and improved the overall construction of Chinese culture and art. In the process of development and evolution, "Karma Gadri" has always been rooted in tradition. Against the backdrop of the deep integration of Chinese culture, it has gradually innovated, evolved, and been passed down to this day. This is not only a powerful historical witness to the exchange of Sino-Tibetan Arts from the perspective of Chinese culture, but also a cultural phenomenon of great research value.